Louis Armstrong: A City Learned by Ear
Armstrong's New Orleans story begins with teachers, mentors, and the practical education of playing.
Musicians, their surroundings, and the journeys behind the sound.
Armstrong's New Orleans story begins with teachers, mentors, and the practical education of playing.
Nina Simone's route from Tryon to an Atlantic City piano job resists a simple story about discovering a voice.
Dolly Parton's connection to the Smoky Mountains runs through family music, early work, and the stories a song can hold.
Prince's Minnesota story includes a family of musicians and a place built to support creative work.
Hansa offers a precise point of entry into Bowie's Berlin work, without turning the city into an explanation for everything.
The Beatles' Liverpool includes the ordinary rooms where early songs were worked out.
Mindelo, departure, and morna offer a richer introduction to Cesária Évora than a single melancholy image.
Amália Rodrigues's Lisbon story includes artistic change as well as continuity with fado.
Fela Kuti's Lagos history joins musical invention with the places where public argument could be heard.
Miriam Makeba's musical geography includes Johannesburg, exile, and a voice used on international platforms.
Piazzolla's tango language grew through movement, apprenticeship, and an unusually wide musical ear.
Ravi Shankar's journeys are best understood alongside the discipline and depth of his musical practice.
Sakamoto's path connects electronic music, collaboration, and an expanding attention to the world around sound.